podcast "camera loopt"
In gesprek met Anna Drijver in haar podcast "CAMERA LOOPT". Luister hier!
Reviews BITTERSWEET
Trouw **** 4 stars
Het Parool **** 4 stars
Volkskrant **** 4 stars Read
Filmtotaal.nl **** 4 stars Read
Cinemagazine.nl **** 4 stars Read
Ugenda.nl **** 4 stars Read
Telegraaf *** ½ 3 ½ stars Read
NRC *** 3 stars Read
Filmpje kijken.nl **** 1/2 4 1/2 stars Read
Filmkrant *** 3 stars Read
In de bladen
Volkskrant: De dramatische afloop van een boksjaar Read
NFF: Van catwalk naar boksring Read
Bios agenda: Boksen is geen spelletje. Read
NFF: Interview met Marieke Niestadt (BITTERSWEET) Read
Spits: Lucia Rijker weer terug op het witte doek Read
Helden online: Rijker: "Er komt een waterval aan emoties voorbij" Read
Bekroonde documentaire BITTERSWEET in première tijdens het NFF Read
Televisie
PAUW: Watch
SHOWNIEWS: Watch (starts at 15.29 minutes).
NFF Report (VPRO): Watch
Films & Sterren: Watch
Films & Sterren item film: Watch
Lucia at "tijd voor Max": Watch
VPRO RADIO. "Nooit meer slapen" (met Lucia Rijker).: Listen
Bittersweet Rules the First Time Fest
Bittersweet Marieke Niestadt’s debut documentary about Australian fighter Diana Prazik’s bout with the Swedish WBC titleholder Frida Wallberg, foreshadows early on that something bad’s gonna happen, then throws the action back to Prazik’s preparations with trainer Lucia Rijker. Rijker, a former fighter nicknamed Lady Mike Tyson, played Billie the Blue Bear and did bad things to Hilary Swank in Million Dollar Baby.
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Macon Review: Bittersweet (****½)
"Director Marieke Niestadt uses a brilliant hook at the beginning of the film that hints at the result of the fight in the film’s final act. The sense of dread that looms throughout is nerve-wracking and indicative of what Diana must have been feeling. Diana’s vulnerabilities and her attempt to cover them up makes her all the more endearing. She doesn’t want to be seen as weak and her fear of losing eats away at her day after day."
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IMDb Bittersweet
It's hard to avoid clichéd descriptions like "knockout," but director Marieke Niestadt's documentary delivered a punch when it screened at the 2014 Macon Film Festival.
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